Ryan Sharp, a poet and a hell of a good guy, read some old and new poetry for us at LITerally. It was great to talk with him and hear him talk about what all this means in this crazy world of ours, and where we belong in it and how our voices view it and interpret it and shape it. And a shout out to the OAC!
Amanda Luzzader schooled us on what it means to build worlds and then tear them apart and start again -- in the book and as the writer at the desk.
Roxanne Veletzos took us to Romania and back not only in her BESTSELLING Novel The Girl They Left Behind but also in our interview with her.
“Intimidating and Illuminating,” as quoted in the most recent article in SLUG Magazine, is the only way to describe our conversation with Author Espido Freire, along with Isabel Asensio, Professor of Spanish, and Electra Gamon Fielding, Associate Professor of Spanish.
We harvested just the smallest yield from the bounty of writing experience that came together to talk writing before our Utah Humanities Book Festival LITerally reading.
We got poetry. We got prose. We got a performance piece. And there is so much more in our podcast with J.A. Carter Winward.
Paul Rowley talks to us about his first chapbook, one that gives a picture of living always on the borders -- the borders between the expectations and realities of growing up as Native American, though this is just the catalyst for a much deeper discussion about the place of art in our time.
Teresita Dovalpage, writing about food and murder and what it's like to wrap them together in Cuba, made us laugh and opened up on the LITerally Podcast about being a writer.
Ryan Sharp, a poet and a hell of a good guy, read some old and new poetry for us at LITerally.
Tessa Fontaine is the author of The Electric Woman:
A Memoir in Death-Defying Acts, A New York Times Editors' Choice; A Southern Living Best Book of 2018